"Why winning legislative battles builds momentum but saps political capital, I have no idea" #wymhm

At the same time, Obama's job approval rating fell to 48 percent. This isn't really news, though. Studies have shown that the biggest factor in a president's rating is economic performance. Connecting the minute blip in the polls with Obama's reluctance to emote or alleged failure to send enough boom to the Gulf is, frankly, absurd.

Democrats have also slipped in their standing among "independent voters." That phrase, by the way, is meaningless. Voters may self-identify as "independent" but in almost all cases they lean toward one party.

"our brains determine how we navigate, but our navigational efforts also shape our brains." #wymhm

A cognitive map featuring that level of detail, as you might imagine, requires a fair amount of storage space, and, sure enough, University College London neuroscientist Eleanor Maguire found that the back part of the hippocampus in London taxi drivers is enlarged compared with that of the general population. The longer they’ve been driving, the bigger the gap. Maguire also found, though, that the front part of the hippocampus gets correspondingly smaller. “So there is a price to pay for their expertise,” she says. This difference showed up in tests of visuo-spatial memory, including one in which the drivers were asked to memorize the position of sixteen objects on a table, then put them back in place after they’d been removed. “They were incredibly poor at doing that,” she says. While it isn’t yet clear whether this happens because the requirements of storing a map of London take over other parts of the brain or because of some other process, what these studies do make clear is the brain’s plasticity: its very structure is shaped by the demands we place on it.

"broader truths about the ways computers help and hinder the way we think" #wymhm

My old method was to have a bunch of different Word documents open, and to move between them with a lot of time spent searching for windows and a lot of redundant writing. For [his undergraduate thesis], I ended up with something like 40 documents of which I only ever used 8 or 10. In Scrivener everything is instantly accessible and easy to switch to, which paradoxically means that I can write more haphazardly-- I can paste large block quotes from sources instead of putting a link, I can keep multiple outlines going at the same time as I'm writing. To say nothing of the full screen mode. I'm completely baffled that appleworks, word, and textedit haven't done something as simple as allow document loading from a side bar, or implement a fullscreen button (or if they have, I'm baffled at my and my friend's ignorance of these features). I'm convinced that if I had Scrivener when I was writing the [thesis], I could have saved literally dozens of hours of redundant work simply from better organization.

"frame what you do in a way that deserves respect in the first place" #wymhm

But that's just the point. At one time, nobody knew what Volvo or Wii or Band-Aid were. For that matter, there was a time when Computer Science and Cultural Studies and Anthropology were neologisms that had to be defended against accusations of absurdity or mere unfamiliarity. So it is for new areas of interest today, which require determined effort on the part of their proponents to lend them coherence and definition.

"The slightest move in the virtual landscape has to be paid for in lines of code." #wymhm

The fancies of our brains have shifted so little from the real to the virtual that tens of thousands of children in China are earning a living by causing avatars to graduate to higher levels in various digital games before reselling them for a good prize to boys in America who like to play those games but have not the time nor patience to earn enough “points” for their aliases. When Segolène Royal, the French presidential candidate, bought a piece of real estate on Second Life to start a campaign headquarters there she paid for it in hard cash.

If it is rather useless to try to decide whether we are ready to upload our former selves into these virtual worlds or not, it is more rewarding to notice another much more interesting difference between the two industries and technologies of imagination. Apart from the number of copies sold and the number and length of reviews published, a book in the past left few traces. Once in the hands of their owners, what happened to the characters remained a private affair. If readers swapped impressions and stories about them, no one else knew about it.

"This post is mostly for grad students who think they want to be profs one day" #wymhm

It's hard to ever call it a day and enjoy your "free time," since you can always be working on another paper, another proposal, sitting on another program committee, whatever. For years I would leave the office in the evening and sit down at my laptop to keep working as soon as I got home. I've heard a lot of advice on setting limits, but the biggest predictor of success as a junior faculty member is how much of your life you are willing to sacrifice.

"From here forward I put my faith in media over text, screen over paper." #wymhm

In essence, just as word processing comes standard with a computer to compose essays, Final Cut Pro, iMovie, or Avid (or whatever the software platform du jour) will become the standard for creating media stylos. Indeed, our students increasingly arrive in the classroom having already experimented with moving images to create or critique meaning (imagine saying that 10 years ago). Of course, talent and creativity are still necessary but, unfortunately, not essential skills. Knowing how to technically use Microsoft Word doesn't necessarily make for a good writer and the same goes for filmmaking. Especially for creating media, more people are learning the technical ability to create works but fewer are learning the aesthetic sensibilities to create interesting works. This gap between technique and aesthetics presents a crucial opportunity for critical media. Indeed, this is why Lars Von Trier warned in the Dogme '95 manifesto that the avant-garde must take on an educating function particularly during times of technological democratization. Just because anyone can make a movie doesn't mean they should. Our job as educators now turns on the teaching of critical innovation over technical skills.

"Vince spent four years wallowing in equations and graph paper building a totalitarian Sim City hellscape" #wymhm

I could probably have done something similar - depicting the awesome regimentation and brutality of our society - with a series of paintings on a canvas, or through hideous architectural models. But it wouldn’t be the same as doing it in the game, for the reason that I wanted to magnify the unbelievably sick ambitions of egotistical political dictators, ruling elites and downright insane architects, urban planners and social engineers.