grading contract #345tw

[amended from Peter Elbow

I often find grades to be distractions from learning. This course places a strong emphasis on participation and I'm concerned that grades might get in the way. Conventional grading often leads us to think more about grades than about learning and writing, to worry more about pleasing or fooling a teacher than about figuring out what you want to say or how to say it, leaving us reluctant to take risks. Sometimes, grades even lead to the feeling that you are working against the teacher. Instead, I want to create a culture of support, a culture where you, your colleagues and I function as allies, fellow travelers with various skills, experience and talents that we can offer to the group, rather than as adversaries working against each other for grades.

Rather than giving individual grades for each assignment and basing them on an arbitrary point system to be tallied at the end of the semester, I will instead provide substantive comments on the majority of work performed this semester. I will also engage you in conversations about performance via progress reports. However, these assessments will not affect your overall grade in the course. Instead, they should function as guides to how you need to revise or rethink your performance.

Through the use of a grading contract, I'm asking for a reconsideration of how you work in our classroom, what your role is as a student in a classroom, and what your relationship to one another is as colleagues. All of this really boils down to rethinking "responsibility." Traditional grading by a teacher alone keeps students from having much responsibility by instead assuming students can only be motivated by grades, not by learning or actual coursework. Grades create systems of accountability instead of providing environments for personal and social responsibility.

In this course, the grading contract asks you to have responsibility to yourself and to the class to do the work required, to attend and participate during class time, to ask questions of me or your classmates if you're confused and to know what assignments have been turned in and where you stand in relation to the contract. As the teacher/guide, I have the responsibility to be prepared for every class, to answer any questions and consider any feedback, to provide helpful and honest suggestions on your work and to make myself available for questions and concerns outside of class.

Therefore, the default grade for the course is a "B." If you do all that's asked of you in the manner and spirit it is asked, if you work through the processes we establish and the work assigned during the semester, then you'll earn a "B." If you miss class, turn assignments in late, or forget to do assignments, etc., your grade will drop.

“B” Grades
You are guaranteed a course grade of “B” if you meet all of the following conditions:

  1. Attendance/Participation/Presence. You’ll attend and fully participate in our scheduled class sessions and their activities and assignments. For our class, attendance equates to participation. Therefore, it is not enough for you simply to come to class. If you come to class unprepared in any way (e.g., without work done, assignments read, etc.), it will be counted as an absence, since you won’t be able to participate fully in our activities. This means any informal assignment given, or ones not outlined on our syllabus, fit into this category of attendance. 

    NOTE
    : Assignments not completed because of an absence, either ones assigned on the schedule or ones assigned on earlier days in class, will be late, missed, or ignored (depending on when you turn it in finally, see the guidelines #4, #5, and #6 below). 

    Any absence due to an university-sponsored group activity (e.g., sporting event, band, etc.) will not count against you as long as you FIRST provide written documentation in the first 2 weeks of the semester of all absences. This same policy applies to those who have mandatory military-related absences (e.g., deployment, work, duty, etc.). This will allow us to determine how you will meet assignments, participation, and the responsibilities of our contract, despite being absent. 
  2. Lateness. You’ll come on time or early to class. Walking into class late 2 or 3 times in a semester is understandable, but coming habitually late every week is not. If you are late to class, you are still responsible to find out what assignments or instructions were made, but please don’t disrupt our class by asking about the things you missed because you were late. 
  3. Sharing and Collaboration. You’ll work cooperatively in groups. Be willing to share your writing, to listen supportively to the writing of others, and, when called for, give full and thoughtful assessments that consistently help your colleagues consider ways to revise. 
  4. Late Assignments. You will turn in properly and on time all assignments. Because your colleagues in class depend on you to get your work done on time so that they can do theirs on time, all late assignments are just as bad as missed assignments.
    Exception: twice during the semester, you may turn in a late assignment. All “late assignments” are due 2 days after their initial due date, no exceptions. Please note that a late assignment may be due on a day when our class is not scheduled to meet. 
  5. Missed Assignments. A missed assignment is NOT one not completed; it is one that has missed the guidelines somehow but is still complete and turned in. In order to meet our contract for a “B” grade, you cannot have any “missed assignments.” Please note that assignments not completed at all are considered “Ignored Assignments” (see #6 below). A missed assignment is usually one completed after the 48 hours that would have made it only a “late” assignment, but it is complete. 
  6. Ignored Assignments. Any assignments not done period, or “ignored,” for whatever reasons, are put in this category. One of these means an automatic “D.” Two acquired gives you an “F”  – no exceptions. 

All Compositions need to meet the following conditions:

  • Complete and On Time. You’ll turn in on time and in the appropriate manner completed work that meet all of assignment guidelines. 
  • Revisions. If/when the assignment is to revise, you will reshape, extend, complicate, or substantially clarify your ideas – or relate your ideas to new things. You won’t just correct or touch up. Revisions must somehow respond to or consider seriously your colleagues’ assessments. 
  • Copy Editing. When the assignment is for the final publication draft, your piece must be well copy edited – that is, free from virtually all mistakes in spelling and grammar.  It's fine to get help in copy editing.

All Assessments and Peer Responses need to meet the following conditions: 

  • Complete and On Time. All assessments should be complete and submitted on time and in the appropriate way so that your colleagues will get your assessments of their writing the way the class has predetermined. 
  • Content. All assessments should follow the directions established by our evolving class discussions about them. 
  • Courtesy and Respect. All assessments should be courteous and respectful in tone, but honest. It’s okay to say something doesn’t seem right in a draft, or that something doesn’t really work. Respect means we are kind and truthful. It’s not the “golden rule” (treat others as you would have them treat you), but a modified one: treat others as you believe they want to be treated. 


“A” Grades
The grade of "B" depends on behaviors. Have you shown responsible effort and consistency in our class? Have you done what was asked of you in the spirit it was asked?

However, the grade of "A" depends on acknowledged quality. Thus, you earn a "B" if you put in good time and effort; we should push each other for a "B." In order to get an "A," you have to make your time and effort pay off into writing of genuine, recognizable excellence that responds in some concrete way to your colleagues' and my concerns (and also meets the conditions for a "B"). This means that not only is revision important, but a certain kind of revision, one demonstrating a reflective writer listening, making decisions and moving drafts above and beyond expectations. Writing in the "A" category will respond to assessments and be reflective of itself.

Notice that for grades up to "B," you don't have to worry about my judgment or my standards of excellence;  for higher grades, you do. But we'll have class discussions about excellence in writing and we should be able to reach fairly good agreement.

Knowing Where You Stand
This system is better than regular grading for giving you a clear idea of what your final grade looks like at any moment. For whenever you get feedback on any essay, you should know where you stand in terms of meeting the expectations of the course. I will also encourage and guide some of these discussions on an individual basis in the form of progress reports. But if you’re doing everything as directed and turning it in on time (no matter what anyone says), you’re getting a "B." As for absences and lateness, you'll have to keep track of them, but you can check with me any time. 

Grades Lower Than "B"
I hope no one will aim for lower grades. The quickest way to slide to a “C" or "N" is to miss class, not turn in things on time, and show up without assignments. This much is nonnegotiable: you are not eligible for a passing grade of “C” unless you have attend at least 86% of the class sessions and meet the guidelines above. And you can't just turn in all the late work at the end. If you are missing classes and behind in work, please stay in touch with me about your chances of passing the course.

The Breakdown
So, here’s the way grading works in our class. In order to get the grade on the left, you must meet or exceed the requirements in the row next to it. I’ve embiggened and italicized the default grade that you achieve if you meet our contract obligations. 

 

 

# of Absences

# of  Late Assigns.

# of Missed Assigns.

# of Ignored Assigns.

A

0

2

0

0

B

0

2

0

0

C

2

3

1 or 2

0

D

3

4

3

1

E

4 or more

4 or more

4 or more

2 or more

All assignments that are turned in as “late” after the 2nd are considered “missed.” All “missed” assignments after the 2nd are considered “ignored.” 

 

Pleas
Each student may use one plea to the class in order to receive a special dispensation or exemption from the contract, or to be given a temporary break from the contract. A plea can only be used in extraordinary circumstances, those beyond the student's control or that are special in some other way and that have kept her/him from doing assigned work. Each plea will be voted on and a 2/3 majority is needed for approval. 


Option 1: Public Plea
This is the default and the one I'll push for in 99% of all cases. 


Option 2: Private Plea.  
As contract administrator, I will decide in consultation with the student whether a private plea is warranted. In rare and unusual cases, there may be extreme, extenuating circumstances that keep an individual student from meeting the contract's stated responsibilities. In such cases, the student must come to the teacher as soon as possible, and before breach-of-contract, so that s/he and the teacher can make fair and equitable arrangements, ones that will be fair and equitable to all in the class and still meet the university’s regulations on attendance, conduct, and workload in classes. In these special cases, the class will not vote on the issue (and may not even know about it).  

Please note: the first recourse in most matters will be to take all issues to the class for a plea, not to make special arrangements with individual students who cannot meet the contract requirements. The contract is a public, social contract, one agreed upon through group discussion and agreement, so the majority of negotiations must be public negotiations. This caveat to the contract is NOT an “out clause” for anyone who happens to not fulfill the contract; it is for rare and unusual circumstances out of the control of the student, and usually so personal in nature that a plea to the class is not doable or reasonable. If I (the teacher), in consultation with the student, decide that a private plea is warranted, then the class will be informed that a private plea has been made and decided upon via email.

By staying in this course and attending class, you accept this contract and agree to abide by it. 

To tweet or not to tweet (microblogging assignment) #567crt

Twitter is a blogging platform, but simpler. It's similar to a Facebook status update, except you're only allowed to post entries that are 140 characters long. This is because Twitter was designed to work via cellphone text messaging. You can update Twitter from your phone as well as "follow" people on Twitter (and they can follow you back). Updates come to your phone (or online) instantly. You get real-time updates from peers and others you are interested in knowing what they are doing. 

To create and sustain further conversation about course topics, you are required to maintain active presence on Twitter. 5 tweets per week are also required, but there is freedom regarding content. I encourage you to post original thoughts, "retweet" classmates' updates, @ (reply to) classmates' updates and share relevant links. Posts unrelated to course content are okay, but will not count toward the post requirement. I am very active on Twitter, so I encourage all students to check my profile (and those I follow) for models of engagement.

So, why are we doing this? Perhaps Twitter can help us learn better clarity and concision. Furthermore, employers in a variety of fields and industries are interested in hiring employees who are social media savvy. Knowing how to use Twitter could very well help you get a job someday. I'm also curious, though, to see how/if using Twitter changes the culture or society of the class in any appreciable way. 

The Assignment
 

[amended from Brian Croxall] 

  1. If you haven't yet joined Twitter, join Twitter.
  2. Create a profile. In your username or bio (or both), use your real name (e.g., my username is "betajames," but have my real name in the bio section).
  3. Make your profile public. If you already have a Twitter account that is private and would prefer to keep it that way, create a new account for this class. (If your profile is private, classmates cannot search for you and your course-related tweets won't appear in the archive I've set up.)
  4. Find and follow all members of our class (students and professor). (I'll try to make this easier by sharing a full list of Twitter users once compiled.)
  5. [optional] Search for and follow some other interesting people, such as @barackobama, @kanyewest, and/or @rainnwilson (Dwight Schrute from The Office). Consider following different services that provide updates, too, like CNN or The Nethernet.
  6. Post at least five times a week from January 13 to February 10.
  7. When posting about our class, please use the hashtag #567crt. This will allow us to better track one another's tweets. 
  8. Consider connecting your cellphone to Twitter to get real-time, SMS updates or to post on the go. Having phone updates is not required for this assignment, but it could be helpful. Regular text messaging fees do apply, though. (I manage just fine without SMS updates, but I'm on the Internet 6-8 hours almost every day.)
  9. Please get into the habit of checking Twitter at least once a day. (Don't worry about keeping up, though. Just see what's happening when you check in. Think of Twitter as a river of information. Dive in and you might get swept away; stick in a toe, or even a whole foot, and you should be fine.)
  10. At the end of this assignment, you will post an evaluation of Twitter (and how we used it) to your Posterous blog. Your evaluation is due Wednesday, February 9 by 11:59pm. 

As a class, we will decide whether or not to keep using Twitter for the rest of the semester. This assignment and the subsequent evaluation will be assessed on the same basis as everything else written in this class, i.e., if you make an honest effort to play along, you will be in accordance with the grading contract. 

Other interesting ways to use Twitter.

  1. There are a number of desktop applications for using Twitter, including Tweetdeck and Twhirl. They are both cross-platform and free. Installing either will require you to also install Adobe's AIR platform. It's lightweight and free.
  2. You can sync your Twitter updates to your Facebook status. Just install the Twitter application on Facebook.
  3. Use your cellphone camera in conjunction with Twitpicyfrog, or other such services.
  4. Check out the autopost feature on Posterous. Any time you update your blog, Posterous will send an update to Twitter, too!

fair warning #567crt

[amended from Steve Krause]

ENG 567 Topics in Composition and Rhetorical Theory is a graduate-level course I will be teaching this Winter 2011 semester. I want to inform/warn you about a few things having to do with the class. I offer up the following not to get folks to drop. Instead, I offer them in order to make sure you have a greater awareness of what kind of course you signed up for.

To succeed in this course, you must be comfortable with doing your work on a computer and online. If you aren't already comfortable with online work (email, web-browsing, etc.), if you don't like trying to do new things with your computer, and/or you might describe yourself as "not really liking computers," you should reconsider taking ENG 567 this Winter 2011 semester.

Only you can be responsible for your computer and your internet access. While you don't have to have your own computer to take this course, you will need to be able to access course materials on a near daily basis (which means easy access to an internet-ready computer). Ideally, the computer you have for regular use should be less than five years old and have internet access through a DSL or cable modem connection. If you don't have this sort of computer set-up, you will have to spend time elsewhere with a computer that does have this level of access (like the library).

This is a mixed-mode class. We will see each other face-to-face eight times. It is of the utmost importance that you have reliable internet access. Telling me that you were unable to complete some assignment because of a technical problem (e.g., "My computer crashed," "I don't have very good access to the internet" or "My roommate/boyfriend/girlfriend moved out and took the computer") is unacceptable and will not be tolerated as an excuse for late work or incomplete assignments.

Once the term gets underway, you will see that the syllabus has some sort of activity due almost every day. So, there is also some amount of flexibility here in terms of how you manage your time for the course. If you are not very good at time management, if you function better with more explicit boundaries and requirements, this course might not be for you. Again, I am not saying these things to get folks to drop the course; instead, I simply want those enrolled to know what you're in for.

If you have gotten to the end of this message and are still thinking of taking ENG 567 with me, great! Please do me a favor, though: send me an email or leave a comment on this entry and let me know that you've read through this. Be sure to ask any questions you have; I'll be sure to address them during our first face-to-face session! 

Thanks for your interest, 
Dr. James Schirmer

[insert pop culture reference here] (individual project) #345tw

In the online technical writing reference for ENG 345, David McMurrey provides a wealth of information about various types of technical reports, including: 

McMurrey notes similarities and differences in terms of format and content among technical reports. In the production of such documents, McMurrey also explains that the real focus is on the writing, "how well adapted to a specific audience it is, how clear and readable it is, how it flows, how it's organized, how much detail it provides." How well we use various and sundry formatting features is an additional focus. 

As we are already familiar with at least three social media tools, this assignment asks for the production of technical documentation for a product, service or topic. Any of the above kinds of technical documentation are appropriate for this assignment. A combination of technical documents is also appropriate, e.g., a technical specifications report about a lightbulb and a set of instructions for installation. Given the focus of this assignment, further research is necessary. There is also an expectation that outside sources will be given appropriate credit. It should be clear, though, what product/service is of major focus. And, unlike the ZGT assignment, the product/service/topic detailed in the technical report must be real. Whether or not any social media tools appear in the production of such technical documentation is up to individual discretion.  

The individual technical writing project must include: 

  • At least 3200 words of original text or appropriate media equivalent (not including table of contents, references, etc.
  • At least two graphics (correctly cited) 
  • Document and page design suitable to audience and purpose 
  • MLA in-text citations and bibliography (unless citation format in dominant field is APA or Chicago) 

The ultimate project deadline is Week 14, but there are some additional documents required. 

 

Week 7 - Individual project proposal of 800 words due (blogged) 

Week 10 - Audience analysis of 800 words due (blogged) 
Tuesday, 3.8 
Read: TW "Task Analysis
Student group:

Week 11 -  Task analysis of 800 words due (blogged)
Read: TW "Progress Report"

Week 12 - Individual project draft of 3200 words (emailed & hard copy to class session)
Tuesday, 
3.22 
Project peer review

Week 13 - Individual project progress report due (blogged)
Individual project work

Week 14 - Individual project revision of 3200 words due (emailed)
Tuesday, 
4.5 
Project debriefing

 

Each of these documents should first be composed in Microsoft Word or a similar word-processing application to take full advantage of formatting opportunities before emailing to Posterous. Blogging requirements (2 per week due by 11:59pm on Monday and Thursday) will remain in effect throughout this project. 

The "Zero Gravity Toilet" Assignment (ZGT) #345tw

One of the lighter moments in Stanley Kubrick's science-fiction epic 2001: A Space Odyssey concerns Dr. Heywood Floyd's reading of the instructions for using the zero gravity toilet. While lasting only a moment and perhaps inconsequential to the overall themes of the film, this inclusion of technical communication adds a necessary degree of realism. There's also a subtle humor here, given the propensity for toilet jokes to elicit laughter. A closer look at the instructions themselves, though, reveals a format appropriate for technical documentation. Even if a bit complicated and intimidating, this might only heighten the comedic effect. On a somewhat related note, Saturday Night Live's "Happy Fun Ball" commercial is almost exclusively for comedic effect. A spoof of warnings accompanying children's toys, "Happy Fun Ball" also has a degree of realism, though amplified for satirical purposes. In each instance, principles of technical communication are present while also revealing cultural values.  

The following assignment asks for a direct contribution to this unique kind of technical communication. Even at this early stage in the semester, I think it important to exercise burgeoning knowledge. So, compose a technical document about a fictional product or service found in some form of media. Movies and television are primary areas in which to find such products and services, but many also exist in videogames and even on YouTube. I realize there might be some difficulty in coming up with an appropriate fictional product or serve, so feel free to choose from the following: 

  • the teleporter from Star Trek 
  • the lightsaber from Star Wars 
  • the balloon-house from Up 
  • the energy sword from Halo 
  • the Cornballer from Arrested Development 
  • the Kitten Mittens from It's Always Sunny in Philadelphia 
  • the portable hole from Who Framed Roger Rabbit? 
  • any of the weapons from the Ratchet & Clank series 
  • any of the gadgets from the James Bond movies 
  • any of the contraptions Wile E. Coyote orders from ACME to catch the roadrunner 

At a minimum of 800 words (and due Week 4), the document produced should be some kind of technical communication. A brief set of instructions, a manual introduction, technical specifications, and background information are all appropriate. The document produced could also be a combination, e.g., the instructions and specifications of a batarang. Depending on what fictional product or service is of major focus in completing this assignment, further research might be necessary. If so, there is an expectation that outside sources will be given appropriate credit. It should be clear, though, what fictional product or service is of major focus in the technical document. Again, composing technical documentation of a fictional product or service provides an early, unique opportunity to exercise growing knowledge of technical writing. A required revision of said documentation in Week 14 should further reveal how much has been learned over the semester.

Collaborate and listen (group project) #345tw

On pages 30-33 of Conversation and Community, Anne Gentle provides a summary overview of social media tools. From audio and video to community and profile content, Gentle categorizes and defines what's available to technical communicators for relaying important information to users online. In most all social media, there is a strong collaborative element, and the same goes for much of technical communication. In both areas, there is an opportunity to not only work closer with like-minded individuals but also to learn how to use something. In working together toward the production of a technical document through the use of social media, we should garner firsthand experience and knowledge of what Gentle observes. 

As we are already familiar with 'shared content' in the form of Posterous and 'microblogging' in the form of Twitter, this assignment asks that pre-established student groups pick a third social media tool to learn and use to produce technical documentation. Below are acceptable social media selections: 

  • audio
  • community content
  • discussions
  • photo content
  • profile content
  • shared content
  • syndicated content
  • video
  • virtual

At a minimum of 2400 words (or appropriate media equivalent), the end result should be some kind of technical communication. Instructions, technical specifications and background information are all appropriate, but must be presented through the use of a social media tool. It could also be a combination, e.g., a series on Flickr (photo content) accompanied by a podcast (audio) of the instructions and specifications of replacing a lightbulb. Given the focus of this assignment, further research is necessary. There is also an expectation that outside sources will be given appropriate credit. It should be clear, though, what product or service is of major focus. 

The ultimate project deadline is due Week 8, but there are some prior documents required. 

  • Project proposal - Week 5 
    Posted to one group member's blog, the 400-word proposal should provide an overall approach to the assignment and justification for the group's choices of social media and technical documentation. For example, how/why did the group decide on using Tumblr to facilitate technical communication about gaining all achievements in Halo 3
  • Project progress report - Week 6 & Week 7
    Posted to one group member's blog, the 400-word progress report should provide evidence of project gains as well as any problems encountered. For example, what issues did the group need to resolve in using Second Life to illustrate the correct process for changing oil in a automobile? 
  • Project reflection - Week 8
    Posted to each group member's blog, the 400-word reflection should provide some perspective on the success of the group project. For example, who took the lead in learning PBworks (a wiki) vs. compiling and organizing content to be posted there? 

To tweet or not to tweet (microblogging assignment) #345tw

Twitter is a blogging platform, but simpler. It's similar to a Facebook status update, except you're only allowed to post entries that are 140 characters long. This is because Twitter was designed to work via cellphone text messaging. You can update Twitter from your phone as well as "follow" people on Twitter (and they can follow you back). Updates come to your phone (or online) instantly. You get real-time updates from peers and others you are interested in knowing what they are doing. 

To create and sustain further conversation about technical communication, you are required to maintain active presence on Twitter. 5 tweets per week are also required, but there is freedom regarding content. I encourage you to post original thoughts, "retweet" classmates' updates, @ (reply to) classmates' updates and share relevant links. Posts unrelated to course content are okay, but will not count toward the post requirement. I am very active on Twitter, so I encourage all students to check my profile (and those I follow) for models of engagement.

 So, why are we doing this? Perhaps Twitter can help us learn better clarity and concision. Furthermore, employers in a variety of fields and industries are interested in hiring employees who are social media savvy. Knowing how to use Twitter could very well help you get a job someday. I'm also curious, though, to see how/if using Twitter changes the culture or society of the class in any appreciable way. 

The Assignment

[amended from Brian Croxall] 

  1. If you haven't yet joined Twitter, join Twitter.
  2. Create a profile. In your username or bio (or both), use your real name (e.g., my username is "betajames," but have my real name in the bio section).
  3. Make your profile public. If you already have a Twitter account that is private and would prefer to keep it that way, create a new account for this class. (If your profile is private, classmates cannot search for you and your course-related tweets won't appear in the archive I've set up.)
  4. Find and follow all members of our class (students and professor). (I'll try to make this easier by sharing a full list of Twitter users once compiled.)
  5. [optional] Search for and follow some other interesting people, such as barackobama, kanyewest, and/or rainnwilson (Dwight Schrute from The Office). Consider following different services that provide updates, too, like CNN or The Nethernet.
  6. Post at least five times a week from January 11 to February 8.
  7. When posting about our class, please use the hashtag #345tw. This will allow us to better track one another's tweets. 
  8. Consider connecting your cellphone to Twitter to get real-time, SMS updates or to post on the go. Having phone updates is not required for this assignment, but it could be helpful. Regular text messaging fees do apply, though. (I manage just fine without SMS updates, but I'm on the Internet 6-8 hours almost every day.)
  9. Please get into the habit of checking Twitter at least once a day. (Don't worry about keeping up, though. Just see what's happening when you check in. Think of Twitter as a river of information. Dive in and you might get swept away; stick in a toe, or even a whole foot, and you should be fine.)
  10. At the end of this assignment, you will post an evaluation of Twitter (and how we used it) to your Posterous blog. Your evaluation is due Monday, February 7 by 11:59pm. 

As a class, we will decide whether or not to keep using Twitter for the rest of the semester. This assignment and the subsequent evaluation will be assessed on the same basis as everything else written in this class, i.e., if you make an honest effort to play along, you will be in accordance with the grading contract. 

Other interesting ways to use Twitter.

  1. There are a number of desktop applications for using Twitter, including Tweetdeck and Twhirl. They are both cross-platform and free. Installing either will require you to also install Adobe's AIR platform. It's lightweight and free.
  2. You can sync your Twitter updates to your Facebook status. Just install the Twitter application on Facebook.
  3. Use your cellphone camera in conjunction with Twitpic, yfrog, or other such services.
  4. Check out the autopost feature on Posterous. Any time you update your blog, Posterous will send an update to Twitter, too!

Never again

These and, to a lesser degree, Pall Malls* got me through my dissertation and three subsequent publications. But this is not a plug as the mellow yellows have not helped my most immediate work. For the next 48 hours, I will rely on brief walks, Skittles, sleep, and unrelated print (not screen) reading.

File format issues have also prompted me to rethink my word-processor preferences. Bean, Google Docs, Ommwriter, Scrivener, and Word have all presented some measure of frustration. If only TextEdit had a word count feature...

 

*Yes, Vonnegut was the sole influence.

fair warning #345tw

[amended from Steve Krause]

ENG 345 Technical Writing is a mixed-mode course I will be teaching this Winter 2011 semester. I want to inform/warn you about a few things having to do with the class. I offer up the following not to get folks to drop. Instead, I offer them in order to make sure you have a greater awareness of what kind of course you signed up for.

To succeed in this course, you must be comfortable with doing your work on a computer and online. If you aren't already comfortable with online work (email, web-browsing, etc.), if you don't like trying to do new things with your computer, and/or you might describe yourself as "not really liking computers," you should reconsider taking ENG 345 this Winter 2011 semester.

Only you can be responsible for your computer and your internet access. While you don't have to have your own computer to take this course, you will need to be able to access course materials on a near daily basis (which means easy access to an internet-ready computer). Ideally, the computer you have for regular use should be less than five years old and have internet access through a DSL or cable modem connection. If you don't have this sort of computer set-up, you will have to spend time elsewhere with a computer that does have this level of access (like the library).

This is a mixed-mode class. We will see each other face-to-face eight times. It is of the utmost importance that you have reliable internet access. Telling me that you were unable to complete some assignment because of a technical problem (e.g., "My computer crashed," "I don't have very good access to the internet" or "My roommate/boyfriend/girlfriend moved out and took the computer") is unacceptable and will not be tolerated as an excuse for late work or incomplete assignments.

Once the term gets underway, you will see that the syllabus has some sort of activity due almost every day. So, there is also some amount of flexibility here in terms of how you manage your time for the course. If you are not very good at time management, if you function better with more explicit boundaries and requirements, this course might not be for you. Again, I am not saying these things to get folks to drop the course; instead, I simply want those enrolled to know what you're in for.

If you have gotten to the end of this message and are still thinking of taking ENG 345 with me, great! Please do me a favor, though: send me an email or leave a comment on this entry and let me know that you've read through this. Be sure to ask any questions you have; I'll be sure to address them during our first face-to-face session! 

Thanks for your interest, 
Dr. James Schirmer