On blogging, social media, self-publishing, and teaching reading and writing #dyr

What does that mean: Blogging is writing without a safety net?

This means that you are on your own. Your work is all yours, and it rises or falls on its own merits. Nobody is fact-checking you before you hit “Publish” (though many commenters will afterwards), and nobody is having your back after your publish – you are alone to defend your work against the critics. If you are good and trusted, you may have a community of bloggers or commenters who will support you, but there is no guarantee.

You can see, from the above paragraph, that there are two senses of “blogging is writing without a safety net”. One concerns pre-publication – there is no editor to check your work. The other concerns post-publication – nobody protects you.

 

While the blogs have exposed wrongdoers and broken news before, this week’s performance may signal the arrival of weibos as a social force to be reckoned with, even in the face of government efforts to rein in the Internet’s influence.

The government censors assigned to monitor public opinion have let most, though hardly all of the weibo posts stream onto the Web unimpeded. But many experts say they are riding a tiger. For the very nature of weibo posts, which spread faster than censors can react, makes weibos beyond easy control. And their mushrooming popularity makes controlling them a delicate matter.

 

We assume that Facebook is something we should associate with the young, but my evidence suggests that this is entirely mistaken.

If there is one obvious constituency for whom Facebook is absolutely the right technology, it is the elderly. It allows them to keep closely involved in the lives of people they care about when, for one reason or another, face-to-face contact becomes difficult... Its origins are with the young but the elderly are its future.

 

Twitter/Facebook/G+ are secondary media. They are a means to connect in crisis situations and to quickly disseminate rapidly evolving information. They are also great for staying connected with others on similar interests (Stanley Cup, Olympics). Social media is good for event-based activities. But terrible when people try to make it do more – such as, for example, nonsensically proclaiming that a hashtag is a movement. The substance needs to exist somewhere else (an academic profile, journal articles, blogs, online courses).

 

There are many reasons potential authors want to publish their own books, Mr. Weiss said. They have an idea or manuscript they have passed around to various agents and publishers with no luck; they may just want to print a few copies of, say, a memoir for family members; they want to use it in their business as a type of calling card; or they actually want to sell a lot of books and make their living as writers.

 

In a hyper–abundant book world, where previous patterns of discovery may not work as well as they used to, readers are developing, and increasingly will need to develop, new ways of discovering titles that might interest them. Marketing and discovery are moving to the forefront of book marketplace activity, and social networks are adding new ideas and opportunities to the stable of traditional ways to bring books to the attention of potential readers.

 

The academic study of literature is a wonderful thing, and not just because it has paid my salary for most of my adult life, but it is not an unmixed blessing, and teachers will rarely find it possible simply to inculcate the practices of deeply attentive reading.

Over the past 150 years, it has become increasingly difficult to extricate reading from academic expectations; but I believe that such extrication is necessary. Education is and should be primarily about intellectual navigation, about—I scruple not to say it—skimming well, and reading carefully for information in order to upload content. Slow and patient reading, by contrast, properly belongs to our leisure hours.

 

email has such obvious promise as a tool for writing, and sharing writing, and teaching writing. It takes words and it sends them anywhere right away. If in 1976 you wanted to see a student's work in progress, you needed a printer and an appointment. The student had to take notes while you talked, walk home, remember what exactly you said, and work up a new draft. If he came to another impasse he'd probably keep it to himself -- nobody is going to office hours five times in three days. (Nobody is holding office hours five times in three days.)

Today each of these transactions -- copy, paste, send; receive, annotate, reply -- might take a few minutes. Emails can be composed and consumed anywhere, privately, quietly, at one's convenience. It is the free ubiquitous highway for words. It is exactly the tool you'd invent if you were a teacher of writing who wanted a better way to teach people to write.

 

"the act of printing something in and of itself has been placed on too high a pedestal" #wymhm

Much of what we consume happens to be Formless. The bulk of printed matter — novels and non-fiction — is Formless.

In the last two years, devices excelling at displaying Formless Content have multiplied — the Amazon Kindle being most obvious. Less obvious are devices like the iPhone, whose extremely high resolution screen, despite being small, makes longer texts much more comfortable to read than traditional digital displays.

In other words, it’s now easier and more comfortable than ever to consume Formless Content in a digital format.

Is it as comfortable as reading a printed book?

Maybe not. But we’re getting closer.

When people lament the loss of the printed book, this — comfort — is usually what they’re talking about. My eyes tire more easily, they say. The batteries run out, the screen is tough to read in sunlight. It doesn’t like bath tubs.

Important to note is that these aren’t complaints about the text losing meaning. Books don’t become harder to understand, or confusing just because they’re digital. It’s mainly issues concerning quality.