With one digital bound, I've become an entrepreneur. There'll be an iPod version later, for those who want to listen to it being read, and of course there will be Facebook and Twitter links. Having begun this new career as an ePublisher, I feel empowered. As a one man band, I have nothing to lose.
Apart from the time spent writing The Sandman, the other costs have been relatively small. And for the first time in my writing career – and I've written movies, TV series, radio plays, short stories and several novels – I'm in total control. It's an experiment, obviously, but I'm enjoying it. And, as it happens, the subject of the novel might be prescient.
When I was writing The Sandman, a thriller that links rock music with cults, and involves a television reporter who investigates a series of deaths she suspects may have occurred because of grooming on social internet sites, I thought it might be slightly ahead of its time. I was wrong. With the furore over the recent events on Facebook, it's absolutely topical.
And now I'm going to market it, using exactly the same tools that are central to the story – namely those of the computer and social online sites. In other words, a novel about manipulation through the web is being made available for readers in serial form . . . through the web.
via guardian.co.uk