"...about the changing world of music, people buy into the illusion that the Internet drove the change." #wymhm

The modern music story really begins a few years before Napster, when lumpy ol' 56k modems were cutting-edge and the FCC, under corporate pressure, loosened media ownership rules. The Telecommunications Act of 1996 allowed, among other things, the rise of radio-dominant corporations like Clear Channel and CBS, who saturated airwaves with focus-tested, mainstream-friendly moose drool on a wider scope than ever before. TV and print media, also victims of corporate consolidation, followed suit.

It's not a perfect corollary on paper: that the rise of corporate media in the '90s birthed the MP3 culture of today. But it's a story worth telling if we're to understand what it means to be a "pirate" today. When radio stopped delivering a legitimate "try-before-you-buy" exchange of music, and when our over-the-air DJs were stripped of the ability to surprise and delight us on an hourly basis, we did not respond by becoming thieves.

We responded by becoming DJs.